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{"ab":false,"abStatus":null,"abTestId":null,"abVariation":false,"abVariationAutomated":false,"absoluteUrl":"https://www.frontrowinsurance.com/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation","afterPostBody":null,"aifeatures":null,"allowedSlugConflict":false,"analytics":null,"analyticsPageId":"137640-107690","analyticsPageType":"blog-post","approvalStatus":null,"archived":false,"archivedAt":0,"archivedInDashboard":false,"areCommentsAllowed":true,"attachedStylesheets":[],"audienceAccess":"PUBLIC","author":null,"authorName":null,"authorUsername":null,"blogAuthor":{"avatar":"","bio":"","cdnPurgeEmbargoTime":null,"cosObjectType":"BLOG_AUTHOR","created":1401900296000,"deletedAt":0,"displayName":"David Hamilton","email":"david@frontrowinsurance.com","facebook":"","fullName":"David Hamilton","gravatarUrl":"https://app.hubspot.com/settings/avatar/e5f627d6f4fb7738af400df9b2f0d390","hasSocialProfiles":false,"id":952267721,"label":"David Hamilton","language":null,"linkedin":"","name":"David Hamilton","portalId":61352,"slug":"david-hamilton","translatedFromId":null,"translations":{},"twitter":"","twitterUsername":"","updated":1401900296000,"userId":null,"username":"david@frontrowinsurance.com","website":""},"blogAuthorId":952267721,"blogPostAuthor":{"avatar":"","bio":"","cdnPurgeEmbargoTime":null,"cosObjectType":"BLOG_AUTHOR","created":1401900296000,"deletedAt":0,"displayName":"David Hamilton","email":"david@frontrowinsurance.com","facebook":"","fullName":"David Hamilton","gravatarUrl":"https://app.hubspot.com/settings/avatar/e5f627d6f4fb7738af400df9b2f0d390","hasSocialProfiles":false,"id":952267721,"label":"David Hamilton","language":null,"linkedin":"","name":"David 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Insurance for your Film Production: Preventing Litigation","id":951503928,"includeDefaultCustomCss":null,"isCaptchaRequired":true,"isCrawlableByBots":false,"isDraft":false,"isInstanceLayoutPage":false,"isInstantEmailEnabled":true,"isPublished":true,"isSocialPublishingEnabled":false,"keywords":[{"campaigns":[],"contacts":0,"country":0,"created_at":1314849600000,"keyword":"producers e&o","keyword_guid":"83291ebc-5250-4af8-9594-94f5bcd48392","leads":0,"visits":0},{"campaigns":[],"contacts":0,"country":0,"created_at":1314849600000,"keyword":"television errors and omissions insurance","keyword_guid":"f20a351e-98b5-4ef0-bdc8-836a73d9118c","leads":0,"visits":0},{"campaigns":[],"contacts":0,"country":0,"created_at":1314849600000,"keyword":"errors and omissions insurance media","keyword_guid":"5debeff8-f813-4fca-b520-e3a3fd498055","leads":0,"visits":0}],"label":"<span id=\"hs_cos_wrapper_name\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"text\" >E&O Insurance for your Film Production: Preventing Litigation</span>","language":"en","lastEditSessionId":null,"lastEditUpdateId":null,"layoutSections":{},"legacyBlogTabid":137640,"legacyId":107690,"legacyPostGuid":"967560b1-1cc2-47db-9cc2-134579bcdc7a","linkRelCanonicalUrl":"","listTemplate":"prox_frontrow/templates/blog/blog-listing.html","liveDomain":"www.frontrowinsurance.com","mab":false,"mabExperimentId":null,"mabMaster":false,"mabVariant":false,"meta":{"tag_ids":[949708814,949708924],"topic_ids":[949708814,949708924],"enable_google_amp_output_override":false,"generate_json_ld_enabled":true,"post_body":"<span id=\"hs_cos_wrapper_post_body\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"rich_text\" ><div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n<!--more-->\n<p>The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.</p>\n<p>Also discussed in the article: <a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\"><em>Overview of Clearance Procedures</em></a></p>\n<ul>\n<li>Standard Film and TV Clearance Procedures</li>\n<li>Docu-dramas</li>\n<li><a href=\"/articles/eo-are-there-different-things-needed-for-a-documentary-vs.-a-drama\" rel=\"noopener\">Documentaries</a></li>\n<li><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use: Criticism and Parody</a></li>\n<li>Minimizing The Risk Of <a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright</a> and Submission Claims</li>\n<li>Companion Materials, The Digital Age and More</li>\n</ul>\n<p>&nbsp;</p>\n<p>&nbsp;</p>\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\">Clearance Procedures</a></p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p>A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</p>\n</div></span>","post_summary":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","blog_post_schedule_task_uid":null,"blog_publish_to_social_media_task":"DONE","blog_publish_instant_email_task_uid":"DONE","blog_publish_instant_email_campaign_id":null,"blog_publish_instant_email_retry_count":0,"rss_body":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n<!--more-->\n<p>The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.</p>\n<p>Also discussed in the article: <a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\"><em>Overview of Clearance Procedures</em></a></p>\n<ul>\n<li>Standard Film and TV Clearance Procedures</li>\n<li>Docu-dramas</li>\n<li><a href=\"/articles/eo-are-there-different-things-needed-for-a-documentary-vs.-a-drama\" rel=\"noopener\">Documentaries</a></li>\n<li><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use: Criticism and Parody</a></li>\n<li>Minimizing The Risk Of <a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright</a> and Submission Claims</li>\n<li>Companion Materials, The Digital Age and More</li>\n</ul>\n<p>&nbsp;</p>\n<p>&nbsp;</p>\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\">Clearance Procedures</a></p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p>A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</p>\n</div>","rss_summary":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","keywords":[{"campaigns":[],"contacts":0,"country":0,"created_at":1314849600000,"keyword":"producers 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Front Row View (entertainment insurance blog)","publicAccessRules":[],"publicAccessRulesEnabled":false,"slug":"fr/blogue"}},"updated":1693318083281,"updatedDateTime":1693318083281,"urlBase":"www.frontrowinsurance.com/articles","urlSegments":{},"useFeaturedImageInSummary":true,"usesDefaultTemplate":false,"weeklyNotificationEmailId":"952268106"},"password":null,"pastMabExperimentIds":[],"performableGuid":"","performableVariationLetter":null,"personalizationStrategyId":null,"personalizationVariantStatus":null,"personas":[],"placementGuids":["0c6272a2-fc18-4a03-b57d-c66dd8dd65a9"],"portableKey":null,"portalId":61352,"position":null,"postBody":"<span id=\"hs_cos_wrapper_post_body\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"rich_text\" ><div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n<!--more-->\n<p>The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.</p>\n<p>Also discussed in the article: <a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\"><em>Overview of Clearance Procedures</em></a></p>\n<ul>\n<li>Standard Film and TV Clearance Procedures</li>\n<li>Docu-dramas</li>\n<li><a href=\"/articles/eo-are-there-different-things-needed-for-a-documentary-vs.-a-drama\" rel=\"noopener\">Documentaries</a></li>\n<li><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use: Criticism and Parody</a></li>\n<li>Minimizing The Risk Of <a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright</a> and Submission Claims</li>\n<li>Companion Materials, The Digital Age and More</li>\n</ul>\n<p>&nbsp;</p>\n<p>&nbsp;</p>\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\">Clearance Procedures</a></p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p>A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</p>\n</div></span>","postBodyRss":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n<!--more-->\n<p>The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.</p>\n<p>Also discussed in the article: <a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\"><em>Overview of Clearance Procedures</em></a></p>\n<ul>\n<li>Standard Film and TV Clearance Procedures</li>\n<li>Docu-dramas</li>\n<li><a href=\"/articles/eo-are-there-different-things-needed-for-a-documentary-vs.-a-drama\" rel=\"noopener\">Documentaries</a></li>\n<li><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use: Criticism and Parody</a></li>\n<li>Minimizing The Risk Of <a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright</a> and Submission Claims</li>\n<li>Companion Materials, The Digital Age and More</li>\n</ul>\n<p>&nbsp;</p>\n<p>&nbsp;</p>\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\">Clearance Procedures</a></p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p>A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</p>\n</div>","postEmailContent":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","postFeaturedImageIfEnabled":"","postListContent":"<span id=\"hs_cos_wrapper_post_body\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"rich_text\" ><div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n<!--more-->\n<p>The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.</p>\n<p>Also discussed in the article: <a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\"><em>Overview of Clearance Procedures</em></a></p>\n<ul>\n<li>Standard Film and TV Clearance Procedures</li>\n<li>Docu-dramas</li>\n<li><a href=\"/articles/eo-are-there-different-things-needed-for-a-documentary-vs.-a-drama\" rel=\"noopener\">Documentaries</a></li>\n<li><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use: Criticism and Parody</a></li>\n<li>Minimizing The Risk Of <a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright</a> and Submission Claims</li>\n<li>Companion Materials, The Digital Age and More</li>\n</ul>\n<p>&nbsp;</p>\n<p>&nbsp;</p>\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\">Clearance Procedures</a></p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p>A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</p>\n</div></span>","postListSummaryFeaturedImage":"","postRssContent":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","postRssSummaryFeaturedImage":"","postSummary":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","postSummaryRss":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","postTemplate":"prox_frontrow/templates/blog/blog-post.html","previewImageSrc":null,"previewKey":"i2QeJ_Et","previousPostFeaturedImage":"https://61352.fs1.hubspotusercontent-na1.net/hubfs/61352/blog-image-uploads/stunt%20insurance/STUNTS-FORWEB.jpg","previousPostFeaturedImageAltText":"Stunts on film set: Insuring Stunts & SPFX","previousPostName":"8 Ways To Save Money When Insuring Stunts & SPFX","previousPostSlug":"articles/articles/bid/103864/8-ways-to-save-money-when-insuring-stunts-spfx","processingStatus":"PUBLISHED","propertyForDynamicPageCanonicalUrl":null,"propertyForDynamicPageFeaturedImage":null,"propertyForDynamicPageMetaDescription":null,"propertyForDynamicPageSlug":null,"propertyForDynamicPageTitle":null,"publicAccessRules":[],"publicAccessRulesEnabled":false,"publishDate":1343070360000,"publishDateLocalTime":1343070360000,"publishDateLocalized":{"date":1343070360000,"format":"medium","language":"en_US"},"publishImmediately":false,"publishTimezoneOffset":null,"publishedAt":1675372135312,"publishedByEmail":null,"publishedById":7915797,"publishedByName":null,"publishedUrl":"https://www.frontrowinsurance.com/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation","resolvedDomain":"www.frontrowinsurance.com","resolvedLanguage":null,"rssBody":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n<!--more-->\n<p>The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.</p>\n<p>Also discussed in the article: <a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\"><em>Overview of Clearance Procedures</em></a></p>\n<ul>\n<li>Standard Film and TV Clearance Procedures</li>\n<li>Docu-dramas</li>\n<li><a href=\"/articles/eo-are-there-different-things-needed-for-a-documentary-vs.-a-drama\" rel=\"noopener\">Documentaries</a></li>\n<li><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use: Criticism and Parody</a></li>\n<li>Minimizing The Risk Of <a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright</a> and Submission Claims</li>\n<li>Companion Materials, The Digital Age and More</li>\n</ul>\n<p>&nbsp;</p>\n<p>&nbsp;</p>\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p><a href=\"/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3\" rel=\" noopener\">Clearance Procedures</a></p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p>A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</p>\n</div>","rssSummary":"<div class=\"hs-migrated-cms-post\">\n<h2>A production lawyer's guide to obtaining E&amp;O insurance</h2>\n<h2>FREE report: A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation.</h2>\n<p><a href=\"https://cdn2.hubspot.net/hub/61352/file-26195750-pdf/docs/dhodgson_2005_eo_guide_-_full_article_with_attachments.pdf\" rel=\" noopener\">This comprehensive PDF report</a> is an excellent introduction to what is and what is not covered by a <a href=\"/en/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance policy</a>.</p>\n</div>","rssSummaryFeaturedImage":"","scheduledUpdateDate":0,"screenshotPreviewTakenAt":1739912934530,"screenshotPreviewUrl":"https://cdn1.hubspot.net/hubshotv3/prod/e/0/131db45a-d498-4bff-9ca4-60451253b6c0.png","sections":{},"securityState":"NONE","siteId":0,"slug":"articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation","stagedFrom":null,"state":"PUBLISHED","stateWhenDeleted":null,"structuredContentPageType":null,"structuredContentType":null,"styleOverrideId":null,"subcategory":"legacy_blog_post","syncedWithBlogRoot":true,"tagIds":[949708814,949708924],"tagList":[{"categoryId":0,"cdnPurgeEmbargoTime":null,"contentIds":[],"cosObjectType":"TAG","created":1401901719000,"deletedAt":0,"description":"","id":949708814,"label":"Film insurance broker","language":"en","name":"Film insurance 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E&O Insurance for your Film Production: Preventing Litigation

July 23, 2012 • David Hamilton

A production lawyer's guide to obtaining E&O insurance

FREE report: A production lawyer's guide to obtaining E&O insurance and preventing litigation.

This comprehensive PDF report is an excellent introduction to what is and what is not covered by a film producer's E&O insurance policy.

The author is an attorney who has spent a considerable amount of time working with the Canadian film and television industry. She has represented international film insurance companies for over 30 years.

Also discussed in the article: Overview of Clearance Procedures

 Created on 07/23/12 at 14:58:48

 

RELATED LINKS:

E&O Insurance 101 & How to Protect Your Film Project

E&O: What You Need to Know

E&O: Cost

Are you paying for the coverage you need?

Steps to Obtain

Producer Errors and Omissions

E&O: Reviewing Scripts

Distributor Errors and Omissions

Documentary E&O Insurance

Copyright Reports

How much of your film is copyright-able?

Copyright Infringements

Title Reports

Script Clearance Reports

Clearance Procedures

Claims Made vs. Occurrence

Fair Use

False Light Accusations

The value of a lawyer

To get or not get permission: The Social Network

A production lawyer's guide to obtaining E&O insurance and preventing litigation
Topics: Film insurance broker, Film producer's E&O insurance

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