{"ab":false,"abStatus":null,"abTestId":null,"abVariation":false,"abVariationAutomated":false,"absoluteUrl":"https://www.frontrowinsurance.com/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3","afterPostBody":null,"aifeatures":null,"allowedSlugConflict":false,"analytics":null,"analyticsPageId":"137640-27709","analyticsPageType":"blog-post","approvalStatus":null,"archived":false,"archivedAt":0,"archivedInDashboard":false,"areCommentsAllowed":true,"attachedStylesheets":[],"audienceAccess":"PUBLIC","author":null,"authorName":null,"authorUsername":null,"blogAuthor":{"avatar":"","bio":"","cdnPurgeEmbargoTime":null,"cosObjectType":"BLOG_AUTHOR","created":1401900296000,"deletedAt":0,"displayName":"David Hamilton","email":"david@frontrowinsurance.com","facebook":"","fullName":"David Hamilton","gravatarUrl":"https://app.hubspot.com/settings/avatar/e5f627d6f4fb7738af400df9b2f0d390","hasSocialProfiles":false,"id":952267721,"label":"David Hamilton","language":null,"linkedin":"","name":"David Hamilton","portalId":61352,"slug":"david-hamilton","translatedFromId":null,"translations":{},"twitter":"","twitterUsername":"","updated":1401900296000,"userId":null,"username":"david@frontrowinsurance.com","website":""},"blogAuthorId":952267721,"blogPostAuthor":{"avatar":"","bio":"","cdnPurgeEmbargoTime":null,"cosObjectType":"BLOG_AUTHOR","created":1401900296000,"deletedAt":0,"displayName":"David Hamilton","email":"david@frontrowinsurance.com","facebook":"","fullName":"David Hamilton","gravatarUrl":"https://app.hubspot.com/settings/avatar/e5f627d6f4fb7738af400df9b2f0d390","hasSocialProfiles":false,"id":952267721,"label":"David Hamilton","language":null,"linkedin":"","name":"David Hamilton","portalId":61352,"slug":"david-hamilton","translatedFromId":null,"translations":{},"twitter":"","twitterUsername":"","updated":1401900296000,"userId":null,"username":"david@frontrowinsurance.com","website":""},"blogPostScheduleTaskUid":null,"blogPublishInstantEmailCampaignId":null,"blogPublishInstantEmailRetryCount":0,"blogPublishInstantEmailTaskUid":"DONE","blogPublishToSocialMediaTask":"DONE","blueprintTypeId":0,"businessUnitId":null,"campaign":null,"campaignName":null,"campaignUtm":null,"category":3,"categoryId":3,"cdnPurgeEmbargoTime":null,"checkPostLevelAudienceAccessFirst":true,"clonedFrom":null,"composeBody":null,"compositionId":0,"contentAccessRuleIds":[],"contentAccessRuleTypes":[],"contentGroup":952267656,"contentGroupId":952267656,"contentTypeCategory":3,"contentTypeCategoryId":3,"contentTypeId":null,"created":1272218570000,"createdById":null,"createdTime":1272218570000,"crmObjectId":null,"css":{},"cssText":"","ctaClicks":null,"ctaViews":null,"currentState":"PUBLISHED","currentlyPublished":true,"deletedAt":0,"deletedBy":null,"deletedByEmail":null,"deletedById":null,"domain":"","dynamicPageDataSourceId":null,"dynamicPageDataSourceType":null,"dynamicPageHubDbTableId":null,"enableDomainStylesheets":null,"enableGoogleAmpOutputOverride":false,"enableLayoutStylesheets":null,"errors":[],"featuredImage":"http://cdn2.hubspot.net/hub/61352/file-1447058845-jpg/shutterstock_112856104.jpg","featuredImageAltText":"","featuredImageHeight":270,"featuredImageLength":0,"featuredImageWidth":491,"flexAreas":{},"folderId":null,"footerHtml":"","freezeDate":1274728380000,"generateJsonLdEnabledOverride":true,"hasContentAccessRules":false,"hasUserChanges":true,"headHtml":"<!-- START - Generated by ClassySchema.org on Tue, 20 Oct 2020 17:00:34 GMT -->\n<script type=\"application/ld+json\">\n{\n\t\"@context\": \"http://schema.org\",\n\t\"@type\": \"VideoObject\",\n\t\"name\": \"What are the clearance procedures that need to be done to be able to obtain E&O insurance?\",\n\t\"description\": \"What are the clearance procedures that need to be done to be able to obtain E&O insurance? Get your free E&O eBook here: https://www.frontrowinsurance.com/er...\",\n\t\"thumbnailUrl\": \"https://i.ytimg.com/vi/VA_Hsl3vFnA/mqdefault.jpg\",\n\t\"duration\": \"PT2M15S\",\n\t\"contentUrl\": \"https://www.youtube.com/watch?v=VA_Hsl3vFnA\",\n\t\"embedUrl\": \"https://www.youtube.com/embed/VA_Hsl3vFnA\",\n\t\"uploadDate\": \"2019-09-24\"\n}\n</script>\n<!-- END - Generated by ClassySchema.org-->","header":null,"htmlTitle":"Film E&O Insurance Clearance Procedures for Producers - Part 1 of 3","id":955686152,"includeDefaultCustomCss":null,"isCaptchaRequired":true,"isCrawlableByBots":false,"isDraft":false,"isInstanceLayoutPage":false,"isInstantEmailEnabled":true,"isPublished":true,"isSocialPublishingEnabled":false,"keywords":[{"campaigns":[],"contacts":0,"country":0,"created_at":1407262633108,"id":"a19bd7ba-241a-49e1-a9c3-d52de682037c","keyword":"film e&o insurance","keyword_guid":"a19bd7ba-241a-49e1-a9c3-d52de682037c","leads":0,"text":"film e&o insurance","visits":0},{"campaigns":[],"contacts":0,"country":0,"created_at":1314849600000,"id":"ea45ee94-67b2-4a10-b7e3-e8bdfe72aafc","keyword":"multimedia e&o","keyword_guid":"ea45ee94-67b2-4a10-b7e3-e8bdfe72aafc","leads":0,"text":"multimedia e&o","visits":0},{"campaigns":[],"contacts":0,"country":0,"created_at":1407262633084,"id":"3b892b93-388e-4fde-93f4-11a306f2af40","keyword":"producers e&o insurance","keyword_guid":"3b892b93-388e-4fde-93f4-11a306f2af40","leads":0,"text":"producers e&o insurance","visits":0}],"label":"<span id=\"hs_cos_wrapper_name\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"text\" >Film E&O Insurance Clearance Procedures for Producers - Part 1 of 3</span>","language":"en","lastEditSessionId":null,"lastEditUpdateId":null,"layoutSections":{},"legacyBlogTabid":137640,"legacyId":27709,"legacyPostGuid":"4e42c65c-6d26-411d-bf29-c23dbe9463a3","linkRelCanonicalUrl":"","listTemplate":"prox_frontrow/templates/blog/blog-listing.html","liveDomain":"www.frontrowinsurance.com","mab":false,"mabExperimentId":null,"mabMaster":false,"mabVariant":false,"meta":{"public_access_rules_enabled":false,"public_access_rules":[],"use_featured_image":false,"html_title":"Film E&O Insurance Clearance Procedures for Producers - Part 1 of 3","tag_ids":[949708814,949708924,949709499],"topic_ids":[949708814,949708924,949709499],"post_summary":"<div class=\"hs-migrated-cms-post\">\n<h2>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h2>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n</div>","post_body":"\n\n\n\n <span id=\"hs_cos_wrapper_post_body\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"rich_text\" ><div class=\"hs-migrated-cms-post\">\n<h2>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h2>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n<!--more-->\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"margin: 0px auto; display: block; width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" xml=\"lang\" src=\"https://www.youtube.com/embed/VA_Hsl3vFnA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-service=\"youtube\"></iframe></div>\n</div>\n<p><br>Producers E&amp;O insurance covers: <a href=\"/articles/invasion-of-privacy-and-false-light\" rel=\"noopener\">invasion of privacy</a>, infringement of <a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">copyright</a>, <a href=\"/articles/eo-clearance-process-claims-of-libel\" rel=\"noopener\">libel, slander, defamation</a>, <a href=\"/articles/how-does-an-eo-clearance-process-protect-against-plagiarism-claims\" rel=\"noopener\">plagiarism</a>.</p>\n<p>The Clearance Procedures below should <strong>not</strong> be construed as exhaustive and they do not cover all situations which may arise in any particular circumstance or any particular production.</p>\n<ol type=\"1\">\n<li>Applicant and counsel should continually monitor the production, from inception through final cut, with a view to eliminating material which could give rise to a claim.<br><br></li>\n<li>The script should be read prior to commencement of production to eliminate matter which is <a href=\"/articles/eo-clearance-process-claims-of-libel\" rel=\"noopener\">defamatory</a>, invades privacy or is otherwise potentially actionable.<br><br></li>\n<li>Unless the work is an unpublished original not based on any other work, a <a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\"noopener\">copyright report</a> must be obtained. Both domestic and foreign copyrights and renewal rights should be checked. If a completed film is being acquired, a similar review should be made of copyright and renewals on any copyrighted underlying property.<br><br></li>\n<li>If the script is an unpublished original, the origins of the work should be ascertained - basic idea, events and characters. It should be ascertained if submissions of any similar properties have been received by the applicant and, if so, the circumstances as to why the submitting party may not claim theft or <a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">infringement</a> should be described in detail.<br><br></li>\n<li>Prior to final title selection, a <a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">title report</a> must be obtained.</li>\n</ol>\n<a href=\"/articles/articles/bid/28467/film-eo-insurance-clearance-procedures-for-film-producers-part-2-of-3\" rel=\" noopener\">Part 2</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"><a href=\"/articles/articles/bid/28471/film-eo-insurance-clearances-procedures-for-film-producers-part-3-of-3\" rel=\" noopener\">Part 3</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/how-does-a-clearance-lawyer-determine-what-material-has-to-be-removed\" rel=\"noopener\">How does a lawyer determine what material has to be removed from a film production?</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p>Clearance Procedures</p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/producers-eo-contact-a-clearance-lawyer-early-to-avoid-problems\" rel=\"noopener\">Contact a clearance lawyer early to avoid problems on your shoot</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p><a href=\"/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation\" rel=\" noopener\">A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</a></p>\n</div></span>\n","rss_summary":"<div class=\"hs-migrated-cms-post\">\n<h2>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h2>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n</div>","rss_body":"<div class=\"hs-migrated-cms-post\">\n<h2>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h2>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n<!--more-->\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"margin: 0px auto; display: block; width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" xml=\"lang\" src=\"https://www.youtube.com/embed/VA_Hsl3vFnA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-service=\"youtube\"></iframe></div>\n</div>\n<p><br>Producers E&amp;O insurance covers: <a href=\"/articles/invasion-of-privacy-and-false-light\" rel=\"noopener\">invasion of privacy</a>, infringement of <a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">copyright</a>, <a href=\"/articles/eo-clearance-process-claims-of-libel\" rel=\"noopener\">libel, slander, defamation</a>, <a href=\"/articles/how-does-an-eo-clearance-process-protect-against-plagiarism-claims\" rel=\"noopener\">plagiarism</a>.</p>\n<p>The Clearance Procedures below should <strong>not</strong> be construed as exhaustive and they do not cover all situations which may arise in any particular circumstance or any particular production.</p>\n<ol type=\"1\">\n<li>Applicant and counsel should continually monitor the production, from inception through final cut, with a view to eliminating material which could give rise to a claim.<br><br></li>\n<li>The script should be read prior to commencement of production to eliminate matter which is <a href=\"/articles/eo-clearance-process-claims-of-libel\" rel=\"noopener\">defamatory</a>, invades privacy or is otherwise potentially actionable.<br><br></li>\n<li>Unless the work is an unpublished original not based on any other work, a <a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\"noopener\">copyright report</a> must be obtained. Both domestic and foreign copyrights and renewal rights should be checked. If a completed film is being acquired, a similar review should be made of copyright and renewals on any copyrighted underlying property.<br><br></li>\n<li>If the script is an unpublished original, the origins of the work should be ascertained - basic idea, events and characters. It should be ascertained if submissions of any similar properties have been received by the applicant and, if so, the circumstances as to why the submitting party may not claim theft or <a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">infringement</a> should be described in detail.<br><br></li>\n<li>Prior to final title selection, a <a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">title report</a> must be obtained.</li>\n</ol>\n<a href=\"/articles/articles/bid/28467/film-eo-insurance-clearance-procedures-for-film-producers-part-2-of-3\" rel=\" noopener\">Part 2</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"><a href=\"/articles/articles/bid/28471/film-eo-insurance-clearances-procedures-for-film-producers-part-3-of-3\" rel=\" noopener\">Part 3</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/how-does-a-clearance-lawyer-determine-what-material-has-to-be-removed\" rel=\"noopener\">How does a lawyer determine what material has to be removed from a film production?</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p>Clearance Procedures</p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/producers-eo-contact-a-clearance-lawyer-early-to-avoid-problems\" rel=\"noopener\">Contact a clearance lawyer early to avoid problems on your shoot</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p><a href=\"/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation\" rel=\" noopener\">A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</a></p>\n</div>","enable_google_amp_output_override":false,"generate_json_ld_enabled":true,"blog_post_schedule_task_uid":null,"blog_publish_to_social_media_task":"DONE","blog_publish_instant_email_task_uid":"DONE","blog_publish_instant_email_campaign_id":null,"blog_publish_instant_email_retry_count":0,"keywords":[{"campaigns":[],"contacts":0,"country":0,"created_at":1407262633108,"id":"a19bd7ba-241a-49e1-a9c3-d52de682037c","keyword":"film e&o insurance","keyword_guid":"a19bd7ba-241a-49e1-a9c3-d52de682037c","leads":0,"text":"film e&o insurance","visits":0},{"campaigns":[],"contacts":0,"country":0,"created_at":1314849600000,"id":"ea45ee94-67b2-4a10-b7e3-e8bdfe72aafc","keyword":"multimedia e&o","keyword_guid":"ea45ee94-67b2-4a10-b7e3-e8bdfe72aafc","leads":0,"text":"multimedia e&o","visits":0},{"campaigns":[],"contacts":0,"country":0,"created_at":1407262633084,"id":"3b892b93-388e-4fde-93f4-11a306f2af40","keyword":"producers e&o 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Get your free E&O eBook here: https://www.frontrowinsurance.com/er...\",\n\t\"thumbnailUrl\": \"https://i.ytimg.com/vi/VA_Hsl3vFnA/mqdefault.jpg\",\n\t\"duration\": \"PT2M15S\",\n\t\"contentUrl\": \"https://www.youtube.com/watch?v=VA_Hsl3vFnA\",\n\t\"embedUrl\": \"https://www.youtube.com/embed/VA_Hsl3vFnA\",\n\t\"uploadDate\": \"2019-09-24\"\n}\n</script>\n<!-- END - Generated by ClassySchema.org-->","footer_html":"","attached_stylesheets":[],"enable_domain_stylesheets":null,"include_default_custom_css":null,"layout_sections":{},"published_at":1677692270355,"last_edit_session_id":null,"last_edit_update_id":null},"metaDescription":"Good film e&o insurance clearance procedureswill result in the lowest possible premium and the simplest claims settlement in the event of a loss.\n","metaKeywords":"Title reports, Digital E&O insurance, E&O insurance for Films, E&O Insurance, Entertainment Insurance Broker, Errors and Omissions coverage for films, Film Insurance, Film Production 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Front Row View (entertainment insurance blog)","publicAccessRules":[],"publicAccessRulesEnabled":false,"slug":"fr/blogue"}},"updated":1693318083280,"updatedDateTime":1693318083280,"urlBase":"www.frontrowinsurance.com/articles","urlSegments":{},"useFeaturedImageInSummary":true,"usesDefaultTemplate":false,"weeklyNotificationEmailId":"952268106"},"password":null,"pastMabExperimentIds":[],"performableGuid":"","performableVariationLetter":null,"personas":[],"placementGuids":["445ca884-7457-48b4-91d3-aca80e4d61e0"],"portableKey":null,"portalId":61352,"position":null,"postBody":"\n\n\n\n <span id=\"hs_cos_wrapper_post_body\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"rich_text\" ><div class=\"hs-migrated-cms-post\">\n<h2>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h2>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n<!--more-->\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"margin: 0px auto; display: block; width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" xml=\"lang\" src=\"https://www.youtube.com/embed/VA_Hsl3vFnA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-service=\"youtube\"></iframe></div>\n</div>\n<p><br>Producers E&amp;O insurance covers: <a href=\"/articles/invasion-of-privacy-and-false-light\" rel=\"noopener\">invasion of privacy</a>, infringement of <a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">copyright</a>, <a href=\"/articles/eo-clearance-process-claims-of-libel\" rel=\"noopener\">libel, slander, defamation</a>, <a href=\"/articles/how-does-an-eo-clearance-process-protect-against-plagiarism-claims\" rel=\"noopener\">plagiarism</a>.</p>\n<p>The Clearance Procedures below should <strong>not</strong> be construed as exhaustive and they do not cover all situations which may arise in any particular circumstance or any particular production.</p>\n<ol type=\"1\">\n<li>Applicant and counsel should continually monitor the production, from inception through final cut, with a view to eliminating material which could give rise to a claim.<br><br></li>\n<li>The script should be read prior to commencement of production to eliminate matter which is <a href=\"/articles/eo-clearance-process-claims-of-libel\" rel=\"noopener\">defamatory</a>, invades privacy or is otherwise potentially actionable.<br><br></li>\n<li>Unless the work is an unpublished original not based on any other work, a <a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\"noopener\">copyright report</a> must be obtained. Both domestic and foreign copyrights and renewal rights should be checked. If a completed film is being acquired, a similar review should be made of copyright and renewals on any copyrighted underlying property.<br><br></li>\n<li>If the script is an unpublished original, the origins of the work should be ascertained - basic idea, events and characters. It should be ascertained if submissions of any similar properties have been received by the applicant and, if so, the circumstances as to why the submitting party may not claim theft or <a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">infringement</a> should be described in detail.<br><br></li>\n<li>Prior to final title selection, a <a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">title report</a> must be obtained.</li>\n</ol>\n<a href=\"/articles/articles/bid/28467/film-eo-insurance-clearance-procedures-for-film-producers-part-2-of-3\" rel=\" noopener\">Part 2</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"><a href=\"/articles/articles/bid/28471/film-eo-insurance-clearances-procedures-for-film-producers-part-3-of-3\" rel=\" noopener\">Part 3</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/how-does-a-clearance-lawyer-determine-what-material-has-to-be-removed\" rel=\"noopener\">How does a lawyer determine what material has to be removed from a film production?</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p>Clearance Procedures</p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/producers-eo-contact-a-clearance-lawyer-early-to-avoid-problems\" rel=\"noopener\">Contact a clearance lawyer early to avoid problems on your shoot</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p><a href=\"/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation\" rel=\" noopener\">A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</a></p>\n</div></span>\n","postBodyRss":"<div class=\"hs-migrated-cms-post\">\n<h2>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h2>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n<!--more-->\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"margin: 0px auto; display: block; width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" xml=\"lang\" src=\"https://www.youtube.com/embed/VA_Hsl3vFnA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-service=\"youtube\"></iframe></div>\n</div>\n<p><br>Producers E&amp;O insurance covers: <a href=\"/articles/invasion-of-privacy-and-false-light\" rel=\"noopener\">invasion of privacy</a>, infringement of <a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">copyright</a>, <a href=\"/articles/eo-clearance-process-claims-of-libel\" rel=\"noopener\">libel, slander, defamation</a>, <a href=\"/articles/how-does-an-eo-clearance-process-protect-against-plagiarism-claims\" rel=\"noopener\">plagiarism</a>.</p>\n<p>The Clearance Procedures below should <strong>not</strong> be construed as exhaustive and they do not cover all situations which may arise in any particular circumstance or any particular production.</p>\n<ol type=\"1\">\n<li>Applicant and counsel should continually monitor the production, from inception through final cut, with a view to eliminating material which could give rise to a claim.<br><br></li>\n<li>The script should be read prior to commencement of production to eliminate matter which is <a href=\"/articles/eo-clearance-process-claims-of-libel\" rel=\"noopener\">defamatory</a>, invades privacy or is otherwise potentially actionable.<br><br></li>\n<li>Unless the work is an unpublished original not based on any other work, a <a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\"noopener\">copyright report</a> must be obtained. Both domestic and foreign copyrights and renewal rights should be checked. If a completed film is being acquired, a similar review should be made of copyright and renewals on any copyrighted underlying property.<br><br></li>\n<li>If the script is an unpublished original, the origins of the work should be ascertained - basic idea, events and characters. It should be ascertained if submissions of any similar properties have been received by the applicant and, if so, the circumstances as to why the submitting party may not claim theft or <a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">infringement</a> should be described in detail.<br><br></li>\n<li>Prior to final title selection, a <a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">title report</a> must be obtained.</li>\n</ol>\n<a href=\"/articles/articles/bid/28467/film-eo-insurance-clearance-procedures-for-film-producers-part-2-of-3\" rel=\" noopener\">Part 2</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"><a href=\"/articles/articles/bid/28471/film-eo-insurance-clearances-procedures-for-film-producers-part-3-of-3\" rel=\" noopener\">Part 3</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/how-does-a-clearance-lawyer-determine-what-material-has-to-be-removed\" rel=\"noopener\">How does a lawyer determine what material has to be removed from a film production?</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p>Clearance Procedures</p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/producers-eo-contact-a-clearance-lawyer-early-to-avoid-problems\" rel=\"noopener\">Contact a clearance lawyer early to avoid problems on your shoot</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p><a href=\"/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation\" rel=\" noopener\">A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</a></p>\n</div>","postEmailContent":"<div class=\"hs-migrated-cms-post\">\n<h2>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h2>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n</div>","postFeaturedImageIfEnabled":"","postListContent":"\n\n\n\n <span id=\"hs_cos_wrapper_post_body\" class=\"hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text\" style=\"\" data-hs-cos-general-type=\"meta_field\" data-hs-cos-type=\"rich_text\" ><div class=\"hs-migrated-cms-post\">\n<h2>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h2>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n<!--more-->\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"margin: 0px auto; display: block; width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" xml=\"lang\" src=\"https://www.youtube.com/embed/VA_Hsl3vFnA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-service=\"youtube\"></iframe></div>\n</div>\n<p><br>Producers E&amp;O insurance covers: <a href=\"/articles/invasion-of-privacy-and-false-light\" rel=\"noopener\">invasion of privacy</a>, infringement of <a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">copyright</a>, <a href=\"/articles/eo-clearance-process-claims-of-libel\" rel=\"noopener\">libel, slander, defamation</a>, <a href=\"/articles/how-does-an-eo-clearance-process-protect-against-plagiarism-claims\" rel=\"noopener\">plagiarism</a>.</p>\n<p>The Clearance Procedures below should <strong>not</strong> be construed as exhaustive and they do not cover all situations which may arise in any particular circumstance or any particular production.</p>\n<ol type=\"1\">\n<li>Applicant and counsel should continually monitor the production, from inception through final cut, with a view to eliminating material which could give rise to a claim.<br><br></li>\n<li>The script should be read prior to commencement of production to eliminate matter which is <a href=\"/articles/eo-clearance-process-claims-of-libel\" rel=\"noopener\">defamatory</a>, invades privacy or is otherwise potentially actionable.<br><br></li>\n<li>Unless the work is an unpublished original not based on any other work, a <a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\"noopener\">copyright report</a> must be obtained. Both domestic and foreign copyrights and renewal rights should be checked. If a completed film is being acquired, a similar review should be made of copyright and renewals on any copyrighted underlying property.<br><br></li>\n<li>If the script is an unpublished original, the origins of the work should be ascertained - basic idea, events and characters. It should be ascertained if submissions of any similar properties have been received by the applicant and, if so, the circumstances as to why the submitting party may not claim theft or <a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">infringement</a> should be described in detail.<br><br></li>\n<li>Prior to final title selection, a <a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">title report</a> must be obtained.</li>\n</ol>\n<a href=\"/articles/articles/bid/28467/film-eo-insurance-clearance-procedures-for-film-producers-part-2-of-3\" rel=\" noopener\">Part 2</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"><a href=\"/articles/articles/bid/28471/film-eo-insurance-clearances-procedures-for-film-producers-part-3-of-3\" rel=\" noopener\">Part 3</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/how-does-a-clearance-lawyer-determine-what-material-has-to-be-removed\" rel=\"noopener\">How does a lawyer determine what material has to be removed from a film production?</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p>Clearance Procedures</p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/producers-eo-contact-a-clearance-lawyer-early-to-avoid-problems\" rel=\"noopener\">Contact a clearance lawyer early to avoid problems on your shoot</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p><a href=\"/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation\" rel=\" noopener\">A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</a></p>\n</div></span>\n","postListSummaryFeaturedImage":"","postRssContent":"<div class=\"hs-migrated-cms-post\">\n<h2>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h2>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n</div>","postRssSummaryFeaturedImage":"","postSummary":"<div class=\"hs-migrated-cms-post\">\n<h2>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h2>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n</div>","postSummaryRss":"<div class=\"hs-migrated-cms-post\">\n<h2>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h2>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n</div>","postTemplate":"prox_frontrow/templates/blog/blog-post.html","previewImageSrc":null,"previewKey":"dgBwg6o4","previousPostFeaturedImage":"https://cdn2.hubspot.net/hubfs/61352/social-suggested-images/White_collar_holding_film_camera.jpg","previousPostFeaturedImageAltText":"Reducing The Cost to Insure Film Equipment","previousPostName":"Reducing The Cost to Insure Film Equipment","previousPostSlug":"articles/articles/bid/26731/reducing-the-cost-to-insure-film-equipment","processingStatus":"PUBLISHED","propertyForDynamicPageCanonicalUrl":null,"propertyForDynamicPageFeaturedImage":null,"propertyForDynamicPageMetaDescription":null,"propertyForDynamicPageSlug":null,"propertyForDynamicPageTitle":null,"publicAccessRules":[],"publicAccessRulesEnabled":false,"publishDate":1274728380000,"publishDateLocalTime":1274728380000,"publishDateLocalized":{"date":1274728380000,"format":"medium","language":"en_US"},"publishImmediately":false,"publishTimezoneOffset":null,"publishedAt":1677692270355,"publishedByEmail":null,"publishedById":7915797,"publishedByName":null,"publishedUrl":"https://www.frontrowinsurance.com/articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3","resolvedDomain":"www.frontrowinsurance.com","resolvedLanguage":null,"rssBody":"<div class=\"hs-migrated-cms-post\">\n<h2>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h2>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n<!--more-->\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"margin: 0px auto; display: block; width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" xml=\"lang\" src=\"https://www.youtube.com/embed/VA_Hsl3vFnA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-service=\"youtube\"></iframe></div>\n</div>\n<p><br>Producers E&amp;O insurance covers: <a href=\"/articles/invasion-of-privacy-and-false-light\" rel=\"noopener\">invasion of privacy</a>, infringement of <a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">copyright</a>, <a href=\"/articles/eo-clearance-process-claims-of-libel\" rel=\"noopener\">libel, slander, defamation</a>, <a href=\"/articles/how-does-an-eo-clearance-process-protect-against-plagiarism-claims\" rel=\"noopener\">plagiarism</a>.</p>\n<p>The Clearance Procedures below should <strong>not</strong> be construed as exhaustive and they do not cover all situations which may arise in any particular circumstance or any particular production.</p>\n<ol type=\"1\">\n<li>Applicant and counsel should continually monitor the production, from inception through final cut, with a view to eliminating material which could give rise to a claim.<br><br></li>\n<li>The script should be read prior to commencement of production to eliminate matter which is <a href=\"/articles/eo-clearance-process-claims-of-libel\" rel=\"noopener\">defamatory</a>, invades privacy or is otherwise potentially actionable.<br><br></li>\n<li>Unless the work is an unpublished original not based on any other work, a <a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\"noopener\">copyright report</a> must be obtained. Both domestic and foreign copyrights and renewal rights should be checked. If a completed film is being acquired, a similar review should be made of copyright and renewals on any copyrighted underlying property.<br><br></li>\n<li>If the script is an unpublished original, the origins of the work should be ascertained - basic idea, events and characters. It should be ascertained if submissions of any similar properties have been received by the applicant and, if so, the circumstances as to why the submitting party may not claim theft or <a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">infringement</a> should be described in detail.<br><br></li>\n<li>Prior to final title selection, a <a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">title report</a> must be obtained.</li>\n</ol>\n<a href=\"/articles/articles/bid/28467/film-eo-insurance-clearance-procedures-for-film-producers-part-2-of-3\" rel=\" noopener\">Part 2</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"><a href=\"/articles/articles/bid/28471/film-eo-insurance-clearances-procedures-for-film-producers-part-3-of-3\" rel=\" noopener\">Part 3</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/how-does-a-clearance-lawyer-determine-what-material-has-to-be-removed\" rel=\"noopener\">How does a lawyer determine what material has to be removed from a film production?</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p>Clearance Procedures</p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/producers-eo-contact-a-clearance-lawyer-early-to-avoid-problems\" rel=\"noopener\">Contact a clearance lawyer early to avoid problems on your shoot</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p><a href=\"/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation\" rel=\" noopener\">A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</a></p>\n</div>","rssSummary":"<div class=\"hs-migrated-cms-post\">\n<h2>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h2>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n</div>","rssSummaryFeaturedImage":"","scheduledUpdateDate":0,"screenshotPreviewTakenAt":1713548269728,"screenshotPreviewUrl":"https://cdn1.hubspot.net/hubshotv3/prod/e/0/842e8337-4df9-47f1-b79f-926f6714bb3e.png","sections":{},"securityState":"NONE","siteId":0,"slug":"articles/articles/bid/27709/film-eo-insurance-clearances-procedures-for-film-producers-part-1-of-3","stagedFrom":null,"state":"PUBLISHED","stateWhenDeleted":null,"styleOverrideId":null,"subcategory":"legacy_blog_post","syncedWithBlogRoot":true,"tagIds":[949708814,949708924,949709499],"tagList":[{"categoryId":0,"cdnPurgeEmbargoTime":null,"contentIds":[],"cosObjectType":"TAG","created":1401901719000,"deletedAt":0,"description":"","id":949708814,"label":"Film insurance broker","language":"en","name":"Film insurance 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2020","smart_objects":null,"smart_type":"NOT_SMART","tag":"module","type":"module","wrap_field_tag":"div"},"child_css":{},"css":{},"deleted_at":1649268003814,"id":"module_15960847531069","label":"Blog Subscribe New Module 2020","module_id":33051772119,"name":"module_15960847531069","order":4,"smart_type":null,"styles":{},"type":"module"},"module_15965216980304":{"body":{"definition_id":null,"field_types":{"add_content":"richtext","enable_rich_text_module":"boolean"},"module_id":33156769794,"path":"/Coded files/Custom/blog/FrontRow2014/Basic Rich Text Box for Blog","smart_objects":null,"smart_type":"NOT_SMART","tag":"module","type":"module","wrap_field_tag":"div"},"child_css":{},"css":{},"deleted_at":1649268003814,"id":"module_15965216980304","label":"Basic Rich Text Box for Blog","module_id":33156769794,"name":"module_15965216980304","order":5,"smart_type":null,"styles":{},"type":"module"},"name":{"body":{"title":"Film E&O Insurance Clearance Procedures for Producers - Part 1 of 3"},"id":"name","label":"Title","name":"name","type":"text"},"post_body":{"body":{"html":"<div class=\"hs-migrated-cms-post\">\n<h1>FILM PRODUCER'S E&amp;O INSURANCE CLEARANCE PROCEDURES</h1>\n<p>Good <a href=\"/sectors/e-o-insurance\" rel=\"noopener\">film producer's E&amp;O insurance</a> (multimedia E&amp;O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.</p>\n<div class=\"hs-responsive-embed-wrapper hs-responsive-embed\" style=\"margin: 0px auto; display: block; width: 100%; height: auto; position: relative; overflow: hidden; padding: 0; max-width: 560px; max-height: 315px; min-width: 256px;\">\n<div class=\"hs-responsive-embed-inner-wrapper\" style=\"position: relative; overflow: hidden; max-width: 100%; padding-bottom: 56.25%; margin: 0;\"><iframe class=\"hs-responsive-embed-iframe\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: none;\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" xml=\"lang\" src=\"https://www.youtube.com/embed/VA_Hsl3vFnA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-service=\"youtube\"></iframe></div>\n</div>\n<p><br>Producers E&amp;O insurance covers: <a href=\"/articles/invasion-of-privacy-and-false-light\" rel=\"noopener\">invasion of privacy</a>, infringement of <a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\"noopener\">copyright</a>, <a href=\"/articles/eo-clearance-process-claims-of-libel\" rel=\"noopener\">libel, slander, defamation</a>, <a href=\"/articles/how-does-an-eo-clearance-process-protect-against-plagiarism-claims\" rel=\"noopener\">plagiarism</a>.</p>\n<p>The Clearance Procedures below should <strong>not</strong> be construed as exhaustive and they do not cover all situations which may arise in any particular circumstance or any particular production.</p>\n<ol type=\"1\">\n<li>Applicant and its counsel should continually monitor the production at all stages, from inception through final cut, with a view to eliminating material which could give rise to a claim.</li>\n<li>The script should be read prior to commencement of production to eliminate matter which is defamatory, invades privacy or is otherwise potentially actionable.</li>\n<li>Unless the work is an unpublished original not based on any other work, a copyright report must be obtained. Both domestic and foreign copyrights and renewal rights should be checked. If a completed film is being acquired, a similar review should be made of copyright and renewals on any copyrighted underlying property.</li>\n<li>If the script is an unpublished original, the origins of the work should be ascertained - basic idea, sequence of events and characters. It should be ascertained if submissions of any similar properties have been received by the applicant and, if so, the circumstances as to why the submitting party may not claim theft or infringement should be described in detail.</li>\n<li>Prior to final title selection, a <a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Report</a> must be obtained.</li>\n</ol>\n<a href=\"/articles/articles/bid/28467/film-eo-insurance-clearance-procedures-for-film-producers-part-2-of-3\" rel=\" noopener\">Part 2</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"><a href=\"/articles/articles/bid/28471/film-eo-insurance-clearances-procedures-for-film-producers-part-3-of-3\" rel=\" noopener\">Part 3</a></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\"></div>\n<div class=\"hs-migrated-cms-post\">&nbsp;</div>\n<div class=\"hs-migrated-cms-post\">\n<h3>RELATED LINKS:</h3>\n<p><a href=\"/errors-omissions-insurance-101\" rel=\" noopener\">E&amp;O Insurance 101 &amp; How to Protect Your Film Project</a></p>\n<p><a href=\"/articles/eo-what-filmmakers-need-to-know\" rel=\" noopener\">E&amp;O: What You Need to Know</a></p>\n<p><a href=\"/articles/articles/bid/66030/film-and-tv-producers-errors-and-omissions-insurance-cost\" rel=\" noopener\">E&amp;O: Cost</a></p>\n<p><a href=\"/articles/producers-errors-and-omissions-insurance-quote-are-you-being-offered-the-right-coverage-for-your-needs\" rel=\" noopener\">Are you paying for the coverage you need?</a></p>\n<p><a href=\"/articles/articles/bid/24691/steps-to-obtain-errors-and-ommissions-insurance-for-films\" rel=\" noopener\">Steps to Obtain</a></p>\n<p><a href=\"/articles/protecting-your-script\" rel=\" noopener\">Producer Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-insurance-best-practices-when-reviewing-scripts\" rel=\" noopener\">E&amp;O: Reviewing Scripts</a></p>\n<p><a href=\"/articles/articles/bid/109689/distributor-s-errors-and-omissions-e-o-insurance\" rel=\" noopener\">Distributor Errors and Omissions</a></p>\n<p><a href=\"/articles/producers-eo-what-is-my-distributor-and-financer-asking-for\" rel=\" noopener\">Documentary E&amp;O Insurance</a></p>\n<p><a href=\"/articles/copyright-reports-use-them-to-minimize-the-potential-of-a-producers-eo-claim\" rel=\" noopener\">Copyright Reports</a></p>\n<p><a href=\"/articles/articles/bid/102723/e-o-insurance-how-much-of-your-productions-format-is-copyright-able\" rel=\" noopener\">How much of your film is copyright-able?</a></p>\n<p><a href=\"/articles/articles/bid/103438/e-o-acquire-proper-permission-before-you-eat-at-mcd-or-drink-a-c\" rel=\" noopener\">Copyright Infringements</a></p>\n<p><a href=\"/articles/articles/bid/10796/title-reports-who-needs-them-e-o-insurance\" rel=\" noopener\">Title Reports</a></p>\n<p><a href=\"/articles/articles/bid/26544/script-insurance-clearance-reports-what-are-they-and-why-are-they-important\" rel=\" noopener\">Script Clearance Reports</a></p>\n<p>Clearance Procedures</p>\n<p><a href=\"/articles/articles/bid/107141/film-insurance-e-o-claims-made-policies-vs-occurrence-policies\" rel=\" noopener\">Claims Made vs. Occurrence</a></p>\n<p><a href=\"/articles/filmmakers-insurance-part-i\" rel=\" noopener\">Fair Use</a></p>\n<p><a href=\"/articles/broadcasting-film-insurance\" rel=\" noopener\">False Light Accusations</a></p>\n<p><a href=\"/articles/articles/bid/102480/eo-insurance-for-film-and-tv-the-value-of-a-lawyer\" rel=\" noopener\">The value of a lawyer</a></p>\n<p><a href=\"/articles/how-can-you-make-a-film-like-the-social-network-without-getting-permission-from-mark-zuckerbergyour-blog-post-title-here\" rel=\" noopener\">To get or not get permission: The Social Network</a></p>\n<p><a href=\"/articles/bid/107690/obtaining-e-o-insurance-for-your-film-production-and-preventing-litigation\" rel=\" noopener\">A production lawyer's guide to obtaining E&amp;O insurance and preventing litigation</a></p>\n</div>"},"deleted_at":1613577817285,"id":"post_body","label":"Blog Content","name":"post_body","type":"rich_text"}}}

Film E&O Insurance Clearance Procedures for Producers - Part 1 of 3

FILM PRODUCER'S E&O INSURANCE CLEARANCE PROCEDURES

Good film producer's E&O insurance (multimedia E&O) clearance procedures will result in the lowest possible premium and the simplest claims settlement in the event of a loss.


Producers E&O insurance covers: invasion of privacy, infringement of copyright, libel, slander, defamation, plagiarism.

The Clearance Procedures below should not be construed as exhaustive and they do not cover all situations which may arise in any particular circumstance or any particular production.

  1. Applicant and counsel should continually monitor the production, from inception through final cut, with a view to eliminating material which could give rise to a claim.

  2. The script should be read prior to commencement of production to eliminate matter which is defamatory, invades privacy or is otherwise potentially actionable.

  3. Unless the work is an unpublished original not based on any other work, a copyright report must be obtained. Both domestic and foreign copyrights and renewal rights should be checked. If a completed film is being acquired, a similar review should be made of copyright and renewals on any copyrighted underlying property.

  4. If the script is an unpublished original, the origins of the work should be ascertained - basic idea, events and characters. It should be ascertained if submissions of any similar properties have been received by the applicant and, if so, the circumstances as to why the submitting party may not claim theft or infringement should be described in detail.

  5. Prior to final title selection, a title report must be obtained.
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RELATED LINKS:

E&O Insurance 101 & How to Protect Your Film Project

How does a lawyer determine what material has to be removed from a film production?

E&O: What You Need to Know

E&O: Cost

Are you paying for the coverage you need?

Steps to Obtain

Producer Errors and Omissions

E&O: Reviewing Scripts

Distributor Errors and Omissions

Documentary E&O Insurance

Copyright Reports

How much of your film is copyright-able?

Copyright Infringements

Title Reports

Script Clearance Reports

Clearance Procedures

Claims Made vs. Occurrence

Fair Use

False Light Accusations

The value of a lawyer

Contact a clearance lawyer early to avoid problems on your shoot

To get or not get permission: The Social Network

A production lawyer's guide to obtaining E&O insurance and preventing litigation

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