The Top 10 LED Lights for Photographers, Videographers and Gaffers

Posted by Grant Patten on May 31, 2021 7:07:25 AM

The Top LED Lights for Photographers, Videographers and Gaffers

The Top 10 LED Lights

Source: Royalty-free stock photo ID: 1933933148, Shutterstock

Light-emitting diode (LED) lights are useful to photographers, videographers and gaffers alike; LEDs have a number of advantages compared to traditional bulbs, including:

  • LEDs tend to stay relatively cool
  • LEDs tend to last a long time
  • LEDs use less energy than traditional bulbs (e.g., incandescent, tungsten) and are therefore more environmentally friendly
  • Many LEDs offer continuous lighting (not just short bursts of light)
  • Prices on LEDs have been going down each year; they’re becoming more affordable

So, let’s do a resource round-up of some of the top LED lights for photographers, videographers and gaffers available on the market now:

(in no particular order)

  1. Quasar Science LED Lamp/Light Bar
  2. Neewer LED Ring Light
  3. Aputure Amaran 100d LED Light
  4. RaLeno LED Soft Light Panel
  5. Emart LED Portable Lighting Kit
  6. VILTROX LED Lighting Kit
  7. LED Light Great Video Maker (GVM)
  8. Slow Dolphin LED Ring Light Strip
  9. Fovitec Portable 2-Light LED Kit
  10. Rotolight Continuous Location LED Light

 

Quasar Science LED Lamp/Light Bar | best color spectrum LED light

Quasar Science LED LampQuasar Science, formed in 2013, is a California-based company that has already gained a solid reputation for manufacturing LED lights that are motion picture compatible. These lights have unique form factors and impressive color spectrums. One of their most popular products is the Quasar Science Q-LED T8 120V Dimmable Lamp. [Amazon Affiliate Link]

Created with the professional lighting technician/gaffer in mind, Quasar continues to design advanced lighting instruments for the film, TV and photographic industries.

Neewer LED Ring Light | best LED ring lights

Neewer LED Ring LightThe Neewer Ring Light Kit [Amazon Affiliate Link] has received good reviews on Amazon and consists of an LED ring light, a light stand (made of solid metal), a smartphone holder (compatible with most iPhones and Androids), a power adapter, a hot shoe adapter, a filter and a carrying bag for the ring light. This is a good amount of gear for a relatively low price.

This LED ring light has high color rendering, so it is capable of bringing out the most natural skin tones, which is of course ideal for portrait photography. Color temperature is adjustable from 3200K to 5600K.

Aputure Amaran 100d LED Light | best ultra bright LED light

Aputure Amaran 100d LED LightThe Amaran 100d [Amazon Affiliate Link] is a daylight point-source LED fixture with strong brightness and wireless Bluetooth app control. The 100d is a versatile light suitable for content creation, interviews, portrait photography and video production.

This light has ultra bright output: the Amaran 100d uses its 100W LED output to create an equivalent to a 750W tungsten light. It also offers dimming control from 0% to 100%.

Scoring a 95+ (out of 100) on the Television Lighting Consistency Index, this Amaran light is capable of illuminating beautiful colors on every shoot.

RaLeno LED Soft Light Panel | best soft light LED

RaLeno LED Soft Light PanelThe RaLeno LED Soft Light Panel [Amazon Affiliate Link] is more of a video light; its color temperature is adjustable from 3200K to 5600K. The product has backlight technology that is designed to distribute illumination to make the light softer.

This LED light has a built-in battery yet is still lightweight and portable. This light can be used for various professional shooting occasions, such as wedding, portrait and product photography.

Included in this kit: LED light, hot shoe mount, battery charger, user manual.

Emart LED Portable Lighting Kit | best continuous lighting LED

Emart LED Portable Lighting KitThe Emart LED Continuous Portable Lighting Kit [Amazon Affiliate Link] is an ideal continuous lighting solution for photography, providing multiple shooting solutions.

This Emart LED light is capable of increasing the brightness of light by more than 50% compared to other, USB-powered models.

The light’s color temperature (3300K to 5500K) allows for quick, professional images; the light offers a perfect daylight temperature for professional images. The light’s stereoscopic heat holes, on all four sides, effectively dissipate heat.

VILTROX LED Lighting Kit | best LED light for product photography

VILTROX LED Lighting KitThe VILTROX LED Video Lighting Kit [Amazon Affiliate Link] is great for both video and photography studio work. This LED light has a stable, adjustable color temperature of 3300K to ~5600K and has dual power options: AC/DC adapter (included) or Li-ion battery (not included).

This kit comes with two lights, a light stand, two adapters, two soft diffusion plates, two lamp brackets, a wireless remote control and an equipment bag. The LED light is portable, lightweight and comes with an adjustable stand that is also light yet strong.

This LED light is ideal for providing a lighting supplement when taking close-ups of objects such as products, highlighting the perfect visual effect.

Great Video Maker (GVM) | best bi-color LED lights

Great Video Maker (GVM)This LED Light from GVM Great Video Maker [Amazon Affiliate Link] is a bi-color light (3200K to 5600K and brightness from 10% to 100%) that is capable of providing real and vivid picture effects.

This light has excellent heat dissipation with a built-in silent fan cooling system, so it should hold up well even in complex shooting environments. The light comes with a power cord, tripod, lantern softbox, carrying bag and focus reflector. The included softbox produces a pleasing, uniform soft light.

The light can be controlled remotely using the GVM Easily mobile app (Android).

Slow Dolphin LED Ring Light Strip | best small-scale photography LED light

Slow Dolphin LED Ring Light StripThe Slow Dolphin LED Ring Light Strip [Amazon Affiliate Link] is another LED ring light that has good reviews on Amazon; this one has a color temperature of 3200K warm light to 6500K white light.

The light has dimming controls from 1% to 100%. This ring light is especially suitable for shooting small products such as scaled models, food, jewelry, watches, gadgets and other items.

The light comes with USB cables, a nylon cloth shooting tent, a carrying bag, a manual and six backgrounds (black, white, green, red, orange and blue).

Fovitec Portable 2-Light LED Kit | best LED lights indie filmmaking

Fovitec Portable 2-Light LED KitThe Fovitec Portable 2-Light LED Kit [Amazon Affiliate Link] would also be a good choice for both photographers and videographers. Founded in 2012, California-based Fovitec manufactures their lights specifically with product photography and indie filmmaking in mind.

This kit contains two bi-color panels, two 8'3" stands, two barn doors, four light filters, two AC adapters and two bags. These lights are ideal for large-scale video production: green screens and location sets.

Color temp of lights: 3200-5600K. The dimming control is from 0% to 100%, continuous.

Rotolight Continuous Location LED Light | best lightweight LED lights

The Continuous Location LED Light [Amazon Affiliate Link] from the UK-based manufacturer Rotolight is a powerful, ultra-portable, bi-color LED that brings tremendous versatility to any shoot.

Rotolight Continuous Location LED Light

Designed for portrait and location photographers and videographers on the move, this light has a unique “ultra thin” design and is therefore very lightweight (about three lbs.)

Color temperature: 3150K to 6300K, bi-color. The light’s continuous High Speed Sync Flash (HSS) provides a powerful color temperature adjustable flash, at 250% of the maximum continuous light output for traditional photographic workflows.

Get Photography Insurance | Photography Gear Insurance | Film Equipment Insurance | Video Equipment Insurance | Lighting Equipment Insurance

If you’re researching LED lighting products, chances are that you own some photography and/or videography gear. And if you own valuable camera gear, you might consider protecting that gear with photography insurance and/or DigiGear insurance.

Consider Front Row’s online policies. If a location requires evidence of liability insurance before they will allow you on the property to shoot, Front Row can provide that to you in 5 minutes, 24/7 for 12 months of coverage. Online means lower cost.

Front Row’s insurance for photographers (Canada) is a good option for insuring your photo gear against theft, breakage and/or fire. You can get a quote and purchase a policy online in just a few minutes. (The online photography program provides coverage for still photography with a minimal amount of filming.)

DigiGear Insurance (Canada) is a good option for insuring your filming equipment. DigiGear is custom equipment insurance for owners of: cameras, sound and lighting gear working in the film/TV industry. Available online in Canada. Quotes in 2 minutes. Policy available in 5 minutes. If you’re in the US, get a quote here.

 

About: Front Row Insurance Brokers Inc. is an independent insurance broker that specializes in the entertainment industry – specifically, the film and photography industries. Front Row works hard to provide insurance protection for a very low cost. Should a claim occur, Front Row works diligently with clients and insurers to expedite the payment of claims. Offices in: Toronto, Vancouver, Montreal, Halifax, NY, Nashville and LA.

Amazon Associates Disclosure: Front Row Insurance is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. This post may contain affiliate links. There is no additional cost to you.

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Topics: Photography insurance, DigiGear, Insurance for film set, Sustainability, Best of

On Set Headsets: Walkie-talkie Headsets and Earpieces for Filmmaking

Posted by Matthew Tingey on Feb 24, 2021 7:48:33 AM

On Set Headsets: Walkie-talkie Headsets and Earpieces for Filmmaking

On Set Headsets

Guest blog post by On Set Headsets

Whether you are a first-time production assistant or a veteran filmmaker, you will have to become familiar with walkie-talkies. Communication is a major component of filmmaking and this is normally done through a walkie-talkie that each crewmember is given at the beginning of the shoot.

Then comes a decision that could possibly affect the rest of your career: do you take the old production supplied drive-thru headset that has probably been used since When Harry Met Sally (1989)? Alternatively, did you come prepared with your own brand-new surveillance headset from On Set Headsets?

Thankfully, On Set Headsets has all the gear you need to make the right decision.

On Set Headsets is the #1 choice for surveillance earpieces in Hollywood. From the snowy mountains in Vancouver to the jungles of Hawaii, our products have been holding up wherever film crews go. For the travelling crewmember, here’s a look at some of our featured products:

FilmPro X | Motorola Walkie-talkie Headset

Designed in-house, the new FilmPro X [pictured above] allows the user to listen to their walkie-talkie and Comtek [device used to listen to actors’ mics] at the same time.

Our specially designed FilmPro X (short for ‘cross’) eliminates the need to wear a separate earpiece for your Comtek, as it crosses both wires into one.

Perfect for ADs and ACs who need to listen-in on the action, the FilmPro X will make sure you hear what you need to, when you need to. To protect your investment, we also throw in a free travel case as well as offer a Lifetime Warranty on the FilmPro X, so you can breathe easy and stay focused on your work.

The Shorty | Walkie-talkie Shortened Headset for Chest Rigs

Onsetheadsets ShortyPossibly the most anticipated product that we have for 2021 is the Shorty, a headset we make specifically for chest pack users.

Taken from the same design as our most popular headset, the FilmPro, the Shorty is just a shortened version so that it fits perfectly in chest packs. No more “rat’s nest” of cables in your chest pack with the Shorty!

Tubeez | Threaded Walkie-talkie Earpiece

Add a little spice to your set wear with your own custom Tubeez, an acoustic tube that comes in different styles and colours. Once Tubeez hit the market in 2019, they have been on fire. Borrowing from the same technology that scuba divers use to wrap their cables, we “wrap” acoustic tubes with a soft nylon fabric.

Onsetheadsets TubeezThis makes what used to be a cold, hard, plastic tube into a soft and comfortable earpiece that you can wear all day long. In 2021, we are excited to introduce four brand-new Tubeez colours – Gold Fleek, Indigo Purple, Totally Teal and Turquoise Turtle. Standby in style with a Tubeez!

As always, your headset is only as good as our assurance. That is why we offer a 1-Year Guarantee on all our headsets. And whenever we need film insurance, we go to our friends at Front Row Insurance!

Get Film Insurance | Short-Term Film Production Insurance | Film and Video Equipment Insurance | Videographer Insurance

Front Row provides production and producer’s E&O insurance for: features, episodic television, docs, shorts and more. The next time you’re working on a film production, consider Front Row’s insurance policies:

Front Row’s Short Shoot insurance policy (Canada) is a good option for insuring your short-term film projects. Coverage for up to 15 consecutive days of filming. The coverage is available online, 24/7. Covers rented gear, rented locations, rented props, sets, wardrobes, and more. You can get a quote in two minutes and purchase a policy 100% online. If you are in the US, please complete this form.

Front Row’s DigiGear insurance policy (Canada) is a good option for insuring your filmmaking gear, including your film and video camera(s). Also available online. Quotes in 2 minutes; policies available in 5 minutes. Shop from your phone. If you are in the US, please complete this form.

 

About On Set Headsets:

On Set Headsets is a Vancouver-based company that is dedicated to providing the local and international film industry with high quality film gear. Founded by a filmmaker for filmmakers, On Set Headsets is consistently rated at the top of the surveillance earpiece market. Our products can be found in over 14 cities spanning across four countries through our exclusive distributors. Whenever you’re on a set, just take a look at the crew and you will most likely see them using our products. When you need headsets on set, call On Set Headsets.

About Front Row:

Front Row Insurance Brokers Inc. is an independent insurance broker that specializes in the entertainment industry – specifically, the film and photography industries. Front Row works hard to provide insurance protection for a very low cost. Should a claim occur, Front Row works diligently with clients and insurers to expedite the payment of claims. Offices in: Vancouver, Toronto, Montreal, Halifax, NY, Nashville and LA.

Related Posts:

Images in this guest blog post were provided with permission from On Set Headsets

Topics: Short Film Insurance, Film Production, Film Production Companies, DigiGear, Insurance for film set

Canadian Filmmakers: Navigating Your Certificate of Insurance

Posted by Alyson Locacciato on Aug 4, 2020 7:12:08 AM

Canadian Filmmakers: Navigating Your Certificate of Insurance

If you’re a US-based filmmaker, read this blog post instead.

Congratulations, you successfully purchased your production insurance! Your broker has sent you a confirmation that your coverage is bound, a summary, invoice, and certificate of insurance. You review all of your paperwork and estimates from the rental house and permit office, but how do you know what coverage is what, or if you even purchased the correct coverage?

things that may go missed on a certificate that can ‘make or break’ you on the day of production:

  1. Make sure the production company’s name and address are correct. Rushed through the application? This is the time to triple check any spelling errors.
  2. If you are working (especially) on a Short-Term Production, double-check the effective dates. Make sure you include any additional pickup/drop-off dates that may be needed for props or rentals.
  3. Did a permit office request any special wording? This is the time to make sure you have the exact wording on your certificate as the insurance requirements noted.

Below is a sample certificate of insurance for Canadian film productions. We will review each section so you can properly understand what you are looking at.

Certificate of Insurance Canada

Ok, so from the top!

The highlighted section below is where your company information is located.

The non-highlighted section below is your insurance broker’s information.

Certificate of Insurance Canada

The next part of the first page will delegate the policy number and the start and end dates of coverage. If you need additional days for a short shoot, reach out to your broker immediately. If you request additional coverage dates after the expiration of coverage, you will be responsible for purchasing a new policy.

Certificate of Insurance Canada

If a permit office, rental house, or specific entity you are working with has requested special wording on a certificate, it will go here. If you do need special wording on your certificate, please make sure you reach out to your broker in advance. Special wording or endorsements such as a “Waiver of Subrogation” may take up to 24-48 hours to process from the carrier.

Certificate of Insurance Canada

The following pages of your certificate of insurance will outline the limits of insurance and retention or deductible. The deductible or retention is the amount you will have to pay the insurance company in a case of a loss that exceeds the deductible, and is located on the far right column.

Example: You rent a camera that has a replacement value of $50,000. The camera gets lost in transit. This means that for the insurance company to replace the camera, you will have to pay the deductible amount.

Example: You rent a grip accessory and the replacement value is $150. The grip accessory is damaged during the shoot. Since the accessory’s replacement value is less than the deductible, the insurance company will not cover the loss.

Certificate of Insurance Canada Schedule AHave more questions on the coverages on the far left column? Contact us.

 

About: Front Row Insurance Brokers Inc. is an independent insurance broker that provides film insurance for a very low cost. Should a claim occur, Front Row works diligently with insurers and clients to expedite the payment of claims.

Related:

Adding an Additional Insured

US Filmmakers: Certificate of Insurance

DISCLAIMER: Informational statements regarding insurance coverage are for general description purposes only. These statements do not amend, modify or supplement any insurance policy. Consult the actual policy or your broker for details regarding terms, conditions, coverage, exclusions, products, services and programs which may be available to you. Your eligibility for particular products and services is subject to the final determination of underwriting qualifications and acceptance by the insurance underwriting company providing such products or services. This website does not make any representations that coverage does or does not exist for any particular claim or loss, or type of claim or loss, under any policy. Whether coverage exists or does not exist for any particular claim or loss under any policy depends on the facts and circumstances involved in the claim or loss and all applicable policy wording.

Topics: Short Film Insurance, Film Insurance, Film Production, Film Producers, DICE Insurance, Film Production Companies, Insurance for film set, Certificates

Filmmakers and Producers Insurance

Posted by David McLeish on Nov 5, 2018 12:18:55 PM

film producers insurance

film producers insurance

Let’s Make Art Together.

You’re a prolific filmmaker with a full production slate. Like most creative people, you‘d rather focus on your work. The problem is that since each project requires its own insurance policy, it often feels like the more you work, the more time you have to spend dealing with insurance!

Worse, while you’ve always received good service from your broker, they don’t quite “get” what it is you do. It’s a hassle getting certificates for your vendors and cast and crew. Too many irrelevant questions are asked by the underwriter. When something unusual comes up like a drone shoot or stunts, there are delays. There has to be a better way.

Luckily, there is. Unlike most insurance professionals in Canada, we specialize in the business of entertainment insurance. It’s not just what we do, and what we’re good at; it’s what we’re passionate about.

Front Row Insurance Brokers is the largest entertainment insurance brokerage by premium volume in Canada, with offices in Vancouver, Toronto, Montreal, Halifax, Nashville, Los Angeles, and New York.

In 2017, we insured over $4 billion of productions worldwide and wrote more than $45 million in film premium. The 38 dedicated film insurance staff in our Canadian offices are experts in TV and film production, so you know you’ll be dealing with someone who understands what you do. Even better, we have staff licensed in every province.

Filming in sunny Saskatchewan? No problem, we’ll get you covered. Perhaps most importantly, as part of our commitment to exceptional service, we will work hard to ensure that the money owed to you is paid if you ever need to make a claim under your policy.

Moreover, our excellent working relationship with the five major companies writing entertainment insurance in Canada ensures that you get more than just the best rates. It also affords us the opportunity to design studio programs which offer coverage tailored to the unique needs of your production slate. A studio program is a custom policy designed by the broker working in concert with the insurer. The advantage to you is that it’s designed around your specific production slate. You won’t have to pay for coverage you don’t require, and your policy will be customized for you by experts in entertainment insurance who understand your needs. Some examples of the benefits available under a studio program include:

  • No cast medicals required for film budgets under $15,000,000, rendering it unnecessary to schedule and attend tedious doctor exams, and saving you the $130 exam fee.
  • Automatic coverage for test shoots, promo shoots, pilots for budgets up to $50,000: no need to call us.
  • Quotations provided immediately for any new project. Rates locked for 12 months. Coverage can be activated and certificates issued on the same day for office rentals, payroll, etc.
  • Insurance wherever you film.

Let us leverage your production slate, combined with our premium volume, for your advantage. We pride ourselves on being the simplest line item on your budget—fast, without the drama.

We can also offer you a Low-Claims Bonus: ask us how.

RELATED:

THE BEST CAMERAS FOR FILMMAKING

HOW TO PROTECT YOUR CAMERA LENS(ES)

Topics: Film equipment insurance, Short Film Insurance, Film Insurance, Entertainment Insurance, Cast Insurance, Film permission, Public Liability Insurance for Film, Insurance for film set

Filmmakers and Insurance: What Moves You? | Film Insurance History

Posted by Casey Budden on Nov 5, 2018 11:59:13 AM

FILM HISTORY AND Film Insurance

Movie fans in theatre.What Moves You?

More than 100 years after their invention, “moving pictures” still seem to command our collective imagination. We often have very personal emotional attachments to movies: we say that certain films inspired us, moved us, shaped our childhood, shocked us, or opened our minds.

What is unique about the medium of film? What explains this continuing fascination despite all the other technological delectations our age offers up? Is it because film promises us a total escape from the everyday? Provides deep insight into the human condition? Or is it simply good entertainment?

Probably, it’s all of the above. 2017’s total box office results were the highest in history, with over $39 billion in takings worldwide despite the fact that public attention is more divided than ever, with video games, streaming services, and downloads all vying for a slice of their entertainment dollars. Clearly, movies aren’t going anywhere.

What is changing is the way content is delivered. Creators are both rapidly influencing, and being influenced by, new tech. This is not new: the history of film is one of periodic disruption followed by renewal in response to the changing tastes of audiences.

Film History 1920s - 1940s

Early “talkies,” which began to appear in the mid-to-late 1920s, were often compared uncharitably to earlier, silent films. Critics often felt that the spoken dialogue made for tawdry, artistically inferior pictures. Audiences loved them, however, and by the early 1930s, the majority of films were being produced with sound.

Starting around the same time and lasting until the late 1940s was the Hollywood “studio system”—a system of production characterized by complete vertical integration of the production process. The studio system totally dominated filmmaking during this period. Studios “owned” talent, cast was repertory, and filming was done mainly on elaborate sets or backlots rather than on location. Props and sets were also frequently recycled through various productions.

Many venues were owned by studios, which could thus control when, where, and for how long a film screened. Theatres that were not studio-owned were subject to a practice called “block booking” in which they were required to take on and screen entire slates of lesser-quality films from a studio in order to obtain screening rights to a single anticipated hit (thus, the term “B movie”).

Film History 1950s-1970s

As might be expected, this arrangement provided steady and reliable revenue for the studios. The big stars of the time were household names. Studios were nicknamed “Dream Factories” due to their ability to quickly churn out genre favorites—westerns, musicals, romances. Fantasy and spectacle were favoured over realism, and audiences gobbled them up. But new technology was already sowing the seeds of change: the rapidly growing popularity of television, as well as a landmark antitrust case in 1948 which forbade studios from owning movie theatres and curtailed the practice of block booking, placed the film business on shaky ground by mid-century. The severe slump which ensued was not truly reversed until 1972, the year The Godfather [Amazon Affiliate Link] was released.

The collapse of the studio system was both good and bad. As major studios were no longer guaranteed a theatrical release for their films, they became more risk-averse, tending to focus on properties they knew would make money. On the other hand, the proliferation of smaller studios and the uncoupling of distribution from production allowed many up-and-coming directors to make their mark.

The 1970s ushered in the emergence of a raft of auteur directors—Robert Altman, Martin Scorsese, Francis Ford Coppola, Roman Polanski and Stanley Kubrick among them. These directors were influenced by European art-house cinema of the '50s and '60s and approached filmmaking with a markedly different aesthetic. Their films featured greater realism and frequently controversial subject matter. Like their European contemporaries from decades past, more scenes were shot on location. Dialogue was less frequently dubbed. Increased emphasis was placed on character and dialogue.

Simultaneously, and progressing in a completely opposite artistic direction, another trend was taking shape: the “Hollywood blockbuster.” Designed to maximize ticket sales for large studios, these films featured larger-than-life spectacle and action, supported by cutting-edge technology and special effects. Star Wars (1977) [Amazon Affiliate Link] represents the most obvious example of this phenomenon. Audiences flocked to the cinema for the first time in decades to be part of an experience they could not replicate with equipment available at home. The modern action-adventure spectacle was born (and continues, in the guise of the ubiquitous superhero movie).

Film History 1980s-modern era

The 1980s accelerated these changes in filmmaking. Major studios could no longer afford to back a loser, so often doubled down on grand special-effects laden productions that audiences would be guaranteed to love, or else reliable franchises such as Rocky [Amazon Affiliate Link], Rambo [Amazon Affiliate Link], Indiana Jones [Amazon Affiliate Link], Friday the 13th [Amazon Affiliate Link], A Nightmare on Elm Street [Amazon Affiliate Link], etc. The advent of home video technologies such as VHS and Betamax meant that a significant proportion of a film’s income now came not from box office, but home video revenues. This further opened up the playing field, as it was now economically viable for a small independent producer to market their movie “direct-to-video” and turn a profit.

Cut to present day where, in addition to the multiplex, you can now watch a film on your phone, tablet, smart TV, portable music player [Amazon Affiliate Link], or game console. Streaming services are the latest disruptive innovation and have changed the way episodic TV content, for example, is presented (no more “previously on…” and no more commercials). It’s arguably never been easier for a creator to get their work out there.

Audiences flocked to the “dream factories” of the Golden Age of Cinema because there’s no magic like movie magic. This hasn’t changed, and we don’t think it ever will. Film is the only medium that has the ability to inspire both our intellects and our hearts while completely engaging our senses.

At Front Row Insurance, we are “Passionate about the arts…better at insurance.” We love creatives and the creative work that they do. That’s what moves us. What moves you? Whatever it is, we probably have a policy that will suit you. Contact us.


RELATED:

THE BEST CAMERAS FOR FILMMAKING

HOW TO PROTECT YOUR CAMERA LENS(ES)

Amazon Associates Disclosure: Front Row Insurance is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. This post may contain affiliate links. There is no additional cost to you.

Topics: Entertainment Insurance, Film Producer's E&O Insurance, Public Liability Insurance for Film, Extra Expense Coverage, Insurance for film set, Educational Film Insurance, Film school insurance, Pre-production insurance

THIRD PARTY PROPERTY DAMAGE LIABILITY (TPPD INSURANCE) EXPLAINED

Posted by Mike Groner on Jul 21, 2016 9:31:43 AM

Third party property filming
Third Party Property Damage (TPPD) in film production insurance

Third Party Property Damage Liability coverage provides insurance for the damage or destruction of property of others (including loss of use of the property) while the property is in the care, custody or control of the production company, and is used or is to be used in an insured production. This coverage is primarily purchased in relation insuring against damage to a film location.

Third Party Property Damage Liability may also be extended to cover damage to buildings and contents rented as living quarters for cast & crew during a production.

This coverage does NOT apply to liability arising out of damage to Equipment, Prop/Sets/Wardrobe, Office Contents, Motor vehicles, Aircraft or Watercraft.

This type of exposure is NOT covered under a Commercial General Liability policy. Property Damage coverage written as part of the Commercial General Liability Policy excludes damage to any property in the production company’s care, custody or control.

EXTRA EXPENSE INSURANCE

Extra Expense insurance reimburses the production company for any extra expense the company incurs in order to complete principal photography due to loss of, damage to or destruction of property or facilities contracted for use in connection with the production. Property could include items such as equipment, sets or locations.

Coverage can also be extended on some policies to respond to extra expenditures incurred because of delays due to a civil authority preventing access to a location, mechanical breakdown of camera equipment, or disruption of outside power.

To obtain a no-obligation insurance quote for your project, please click on one of the links below:

Film Production Package For a Single Production:Film Production Package for a single production: features, television series, documentaries, and more.

Blanket Annual Production Package:    A convenient way of administering your insurance if you anticipate multiple productions in the next twelve months. This type of policy covers Documentaries, Corporate Videos, Commercials, Educational Films, Music Videos, Shorts, and more.

RELATED LINKS:

Film Insurance 101 & How to Protect Your Film Project

Film Production Insurance: Why it is needed

Pre-Production Insurance

Film Production Insurance

How the Premium is Determined

Short Film Insurance

DigiGear Insurance

Props/Sets/Wardrobe Insurance

E&O Insurance

DICE Insurance

Third Party Property Damage

Crew Vehicles

Umbrella Vs. Excess Liability

Commercial General Liability

Negative Film / Videotape and Faulty Stock

Workers Comp

Cast Insurance

Extra Expense (EE)

Foreign Locations

Claims

Topics: Extra Expense Coverage, Third Party Property Damage, Insurance for film set

Production Equipment and Props/Sets/Wardrobe Insurance Explained

Posted by Mike Groner on Jul 20, 2016 3:36:37 PM

PRODUCTION EQUIPMENT & PROPS/SETS/WARDROBE INSURANCE

PRODUCTION EQUIPMENT INSURANCE:

Covers against all risks of direct physical loss, damage or destruction to cameras, camera equipment, sound and lighting equipment, grip equipment, portable electrical equipment and generators, mechanical effects equipment and similar miscellaneous equipment against direct physical loss or damage to said property.  This coverage also typically includes loss of use of property of others for which the renter or producer is legally liable.

The limit of coverage for production equipment should be sufficient to cover the replacement cost of ALL equipment being used on the project.

Equipment owner operator insurance offered for Canadian film producers.

Most equipment rental houses will include in their contract a statement confirming renter’s requirement to fully insure the equipment in renter’s possession. 

Did You Know?

If you are using an individual’s personal equipment, and your intent is to cover it while it is being used on the production, a contract must be executed to define your obligations as the insurer will look to your legal obligation to trigger coverage.

 

Wardrobe

PROPS, SETS & WARDROBE (PSW) INSURANCE:

Provides coverage on props, sets, scenery, costumes, wardrobe and similar property against all risks of direct physical loss, damage, or destruction during the production.

There are typically restrictions or sub-limits under props/sets/wardrobe coverage for boats, train, planes, antiques, artwork.

Did You Know?

The insurance company will look for your legal obligation to provide coverage, so if your intent is to insure property being used for PSW, then we recommend that a legal contract be executed to define your obligation.

To obtain coverage a no obligation insurance quote for your project, please click on one of the links below:

Short-Term Production Insurance:Coverage can include Commercial General Liability, Film Equipment Insurance, Props/Sets/Wardrobe coverage, Automobile Physical Damage and more.

Film Production Package For a Single Production:Film Production Package for a single production: features, television series, documentaries, and more.

Blanket Annual Production Package:    A convenient way of administering your insurance if you anticipate multiple productions in the next twelve months. This type of policy covers Documentaries, Corporate Videos, Commercials, Educational Films, Music Videos, Shorts, and more.

RELATED LINKS:

Film Insurance 101 & How to Protect Your Film Project

Film Production Insurance: Why it is needed

Pre-Production Insurance

Film Production Insurance

How the Premium is Determined

Short Film Insurance

DigiGear Insurance

Props/Sets/Wardrobe Insurance

E&O Insurance

DICE Insurance

Third Party Property Damage

Crew Vehicles

Umbrella Vs. Excess Liability

Commercial General Liability

Negative Film / Videotape and Faulty Stock

Workers Comp

Cast Insurance

Extra Expense (EE)

Foreign Locations

Claims

Topics: Film equipment insurance, Insurance for film set

Effortless and Affordable Short-Term Film Insurance Canada

Posted by David Hamilton on May 27, 2016 3:49:23 PM

Short film insurance Canada


Short film insurance (Canada) can be arranged quickly through Front Row. Front Row's online short shoot program is quite popular with new and established filmmakers because of the low cost and the simple process to arrange a policy.

Note: the online program is for individuals who live or have a company in Canada at this time; however, worldwide coverage is available to Canadian filmmakers. For a US short film insurance quote, complete this form.

To provide you with a short film insurance quote, we need a few details. The fastest way to receive a quote is to complete this short application telling us about your project:

Get a 2 Minute Quote

We can provide Short-Term Equipment Insurance starting at $300 CAD!

If you would like to add film location liability for one week , we can do so for a small additional premium.

Front Row Insurance can also provide affordable coverage for: 

If you would like an annual policy to cover multiple productions, please visit our D.I.C.E Page (Documentaries, Industrial Films, Commercials, Educational Films – it also covers short shoots, music videos and feature films with lower budgets).

Topics: Short Film Insurance, Film Insurance, Film insurance broker, Insurance for film set, Film school insurance